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The Shirley Poem By Brenda Hillman

The Shirley Poem By Brenda Hillman

II.

Hot water pushed quartz and gold

in solution through magma to surface

as sunbeams and as wedding rings.

Reconceiving bodies, we call them “veins.”

(We write in a ‘a similar vein.’)

Shirley, a doctor’s wife traveling to

California in 1851, writes of her

“geological deficiencies” and delights in “everchanging

surfaces” when she’s just arrived at

the new camp called Rich Bar.

Men are filling pans with dirt;

“I gather from their remarks that

these bars are formed by deposits

of earth crowding the river aside

occupying a portion of its bed.”

A solution to an individual is reading more.

Of course there was no mother

lode; of course it was unlikely.

103III.

Recovering from an individual as one reads,

eyes too busy to go backward.

Shirley, who hasn’t made it far

into history, writes to her sister

in a lively, modest style imitating

Bret Harte’s literariness, of the death

of Mrs. B., a miner’s wife.

Reading at night (if you’re tired):

like a pickaxe, the eye falls

on each word. It makes holes

in a territory. (Some were amazed

when some others at the conference

claimed their stylistic territory.) From inside

the claim, a mineral-self leaks out.

--The text of a woman’s body

--The body supported by two buttertubs

--The woman’s coffin of unstained pine

--Unstained pine lined with white cambric

Little Mrs. B., unimpressed by exterior

dramas and wreaths of thoughtful snowflakes.

A dead woman, as when we

lie down to read at night,

to read among those who’ve lived.

From Cascadia, Wesleyan University Press, 2001 pp.36-

37



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